By Jessica Wilder Justine Bateman may have played ditzy Mallory Keaton on the '80s sitcom “Family Ties,” but in real life, she's is anything but. At 47, Bateman ...

Writer/director/producer Justine Bateman examines the aggressive ways that society reacts to the aging of women's faces."I can't think of anyone better than Justine Bateman to start the conversation about how we've devolved into a society that doesn't allow women to age. Brave, brilliant, and unflinchingly honest, Justine is that writer you trust because she goes after every subject with a warrior's focus, and throws herself to the lions while she's at it. It doesn't hurt that she's a gorgeous woman who hasn't tried to erase an ounce of history from her face. I love the way she thinks, and am amazed at the many sublayers she manages to excavate while everyone else is scratching the surface." -- Mary-Louise Parker, actress, author of Dear Mr. You"These honest, no-flinch vignettes about womanhood, beauty, and meaning will make you mad, break your heart, will have you longing for a better world, have you rooting for her, yourself, for all women. And you will stand up and cheer when Bateman slides into home plate with an ending of grace and revelation. Riveting read! Profound glimpses into the soul of our society." --Deb Olin Unferth, author of Barn 8Face: One Square Foot of Skin is a book of fictional vignettes that examines the fear and vestigial evolutionary habits that have caused women and men to cultivate the imagined reality that older women's faces are unattractive, undesirable, and something to be "fixed."Based on "older face" experiences of the author, Justine Bateman, and those of dozens of women and men she interviewed, the book presents the reader with the many root causes for society's often negative attitudes toward women's older faces. In doing so, Bateman rejects those ingrained assumptions about the necessity of fixing older women's faces, suggesting that we move on from judging a woman's worth based on the condition of her face.With impassioned prose and a laser-sharp eye, Bateman argues that a woman's confidence should grow as she ages, not be destroyed by society's misled attitude about that one square foot of skin.

"In a new book, Fame: The Hijacking of Reality, the two-time Emmy nominee takes a raw look at the culture of celebrity, reflecting on her stardom at its dizzying peak--and the 'disconcerting' feeling as it began to fade."--People Magazine"The Family Ties alum has written the rawest, bleakest book on fame you're ever likely to read. Bateman's close-up of the celeb experience features vivid encounters with misogyny, painful meditations on aging in Hollywood, and no shortage of theses on social media's wrath."--Entertainment Weekly"As the title Fame: The Hijacking of Reality more than implies, this is a book about the complicated aspects of all things fame."--Vanity Fair"Bateman addresses the reader directly, pouring out her thoughts in a rapid-fire, conversational style. (Hunter S. Thompson is saluted in the acknowledgments.)...But her jittery delivery suits the material--the manic sugar high of celebrity and its inevitable crash. Bateman takes the reader through her entire fame cycle, from TV megastar, whose first movie role was alongside Julia Roberts, to her quieter life today as a filmmaker. She is as relentless with herself as she is with others."--Washington Post"Bateman digs into the out-of-control nature of being famous, its psychological aftermath and why we all can't get enough of it."--New York Post"You've never read anything quite like this book--don't call it a memoir--by the actress/director/producer best known for her role on the '80s sitcom Family Ties. It's a meditation on fame (if something so raw and full of expletives can be called a meditation), examining what it does to celebrities--and the rest of us."--Newsday"While Bateman's new book Fame: The Hijacking of Reality (out now) touches on the former teen starlet's experience in the public eye, it's not a memoir. Far from it, in fact--it's instead an intense meditation on the nature of fame, and a glimpse into the repercussions it has on both the individual experiencing it and the society that keeps the concept alive."--Entertainment Weekly"Now, nearly 30 years after Family Ties went off the air, Bateman is examining the ins and outs of stardom in her new book, Fame: The Hijacking of Reality. In it, she looks at the internal reality-shift of the famous and explores theories on the public's behavior at each stage of a celebrity's career. She also gets candid about her own ups and downs with stardom."--HuffPost"Bateman takes an unsentimental look at the nature of celebrity worship in her first book, Fame: The Hijacking of Reality."--LA WeeklyEntertainment shows, magazines, websites, and other channels continuously report the latest sightings, heartbreaks, and triumphs of the famous to a seemingly insatiable public. Millions of people go to enormous lengths to achieve Fame. Fame is woven into our lives in ways that may have been unimaginable in years past.And yet, is Fame even real? Contrary to tangible realities, Fame is one of those "realities" that we, as a society, have made. Why is that and what is it about Fame that drives us to spend so much time, money, and focus to create the framework that maintains its health?Mining decades of experience, writer, director, producer, and actress Justine Bateman writes a visceral, intimate look at the experience of Fame. Combining the internal reality-shift of the famous, theories on the public's behavior at each stage of a famous person's career, and the experiences of other famous performers, Bateman takes the reader inside and outside the emotions of Fame. The book includes twenty-four color photographs to highlight her analysis.
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