Margaret Atwood can speak on a wide range of issues relating to literature, social activism, political engagement, the creative process, the artist's role in society, technology and art, and, of course, her own accomplished body of work. Her pithy observations and witty comments enlighten and challenge audiences to think critically about our relationship to words and language. "The answers you get from literature," she has said, "depend on the questions you pose."
Margaret Atwood wants to know more about The Bachelorette. We're chatting in her publisher's office in Toronto when I mention the dating show where 30-some ...
Canada's best-known writer Margaret Atwood said it was largely worries about women's issues after the U.S. election that made her book "The Handmaid's Tale" ...
Margaret Atwood knows about political tumult. Over 30 years ago, she wrote a classic book about a society's quick slide into a woman-oppressing dystopia.
Atwood on whether her dystopian classic is meant as a “feminist” novel, as antireligion or as a prediction.
Margaret Atwood is thanking — and blaming — President Trump for an uptick in sales of “The Handmaid's Tale.” The 1985 dystopian novel, which focuses on ...

Book of Lives A Memoir of Sorts

#1 NEW YORK TIMES BESTSELLERSHORTLISTED FOR THE BOOKER PRIZEMargaret Atwood's dystopian masterpiece, The Handmaid's Tale, has become a modern classic—and now she brings the iconic story to a dramatic conclusion in this riveting sequel.More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets. As Atwood unfolds The Testaments, she opens up the innermost workings of Gilead as each woman is forced to come to terms with who she is, and how far she will go for what she believes.

Legendary novelist, poet, and essayist Margaret Atwood delivers a surprising look at the topic of “debt” ― a timely subject during our current period of economic upheaval. In her intelligent and imaginative approach to the subject, Atwood proposes that “debt” is like air ― something we take for granted and never think about until things go wrong.This is not a book about practical debt management or high finance, although it does touch upon those subjects. Rather, it goes far deeper into an investigation of debt as a very old, very central motif in religion, literature, and the structure of human societies. By looking at how debt has informed our thinking from preliterate times to the present day, through the stories we tell to our concepts of “revenge” and “sin” to the way we structure our social relationships, Atwood shows that this idea of what we owe ― in other words, “debt” ― is possibly built into the human imagination as one of its most dynamic metaphors. In the final section, Atwood touches upon not only our current global financial situation, but also the concept of our “debt to nature” and how our ideas of ownership and debt must be changed if we are to find a new way to interact with our natural environment before it is too late.

Everything Handmaids wear is red: the colour of blood, which defines us. Offred is a Handmaid in the Republic of Gilead, where women are prohibited from holding jobs, reading, and forming friendships. She serves in the household of the Commander and his wife, and under the new social order she has only one purpose: once a month, she must lie on her back and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if they are fertile. But Offred remembers the years before Gilead, when she was an independent woman who had a job, a family, and a name of her own. Now, her memories and her will to survive are acts of rebellion. Provocative, startling, prophetic, The Handmaid’s Tale has long been a global phenomenon. With this stunning graphic novel adaptation of Margaret Atwood’s modern classic, beautifully realized by artist Renée Nault, the terrifying reality of Gilead has been brought to vivid life like never before.Age Range: Adult

When it first appeared in 1971, Margaret Atwood’s Power Politics startled readers with its vital dance of woman and man. It still startles today, and is just as iconoclastic as ever.These poems occupy all at once the intimate, the political, and the mythic. Here Atwood makes us realize that we may think our own personal dichotomies are unique, but really they are multiple, universal. Clear, direct, wry, and unrelenting ― Atwood’s poetic powers are honed to perfection in this seminal work from her early career.
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